2010 | ||||
European Cultural Policies 2015 | Maria Lind and Raimund Minichbauer | London, Stockholm, Vienna: Iaspis and eipcp | 2010 | AH |
The Feminism and Visual Culture Reader | Amelia Jones | Routledge | 2010 | AH |
2009 | ||||
A Brief History of Curating | Hans Ulrich Obrist | JRP|Ringier | 2009 | AH |
Continuing Dialogues. A Tribute to Igor Zabel | Christa Benzer, Christine Bohler, Christiane Erharter | JRP|Ringier | 2009 | AH |
The Fall of the Studio. Artists at Work | Wouter Davidts and Kim Paice | Amsterdam: Valiz | 2009 | AH |
The Global Art World. Audiences, Markets and Museums | Peter Weibel and Andrea Buddenseig | Ostfildern-Ruit: Hatje Cantz | 2009 | AH |
Institutional Critique: An Anthology of Artists’ Writings | Alexander Alberro and Blake Stinson | Cambridge, Mass: MIT Press | 2009 | AH |
In the Shadow of Yalta: Art and the Avant-Garde in Eastern Europe | Piotr Piotrowski | London: Reaktion Books | 2009 | AH |
Interviews, Volume 2 | Hans Ulrich Obrist | Charta | 2009 | AH |
Thinking About Exhibitions | Reesa Greenberg, Bruce W. Ferguson, and Sandy Nairne | London: Routledge | 2009 | AH |
What is Contemporary Art? | Terry Smith | University of Chicago Press | 2009 | AH |
2008 | ||||
Antinomies of Art and Culture: Modernity, Postmodernity, Contemporaneity | Nancy Condee, Terry Smith, and Okwui Enwezor | Duke University Press | 2008 | AH |
Cold War Confrontations: US Exhibitions and the Cultural Cold War | Jack Masey and Conway Lloyd Morgan | Baden: Lars Müller Publishers | 2008 | AH |
Questioning History. Imagining the Past in Contemporary Art (Reflect #07) | Frank van der Stok, Frits Gierstberg, Flip Bool | NAi Publishers | 2008 | AH |
2007 | ||||
Art and Social Change: A Critical Reader | Will Bradley, Charles Esche | London: Tate Publishing | 2007 | AH |
Art Since 1900: Modernism, Antimodernism, Postmodernism (2004) | Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin H.D. Buchloch | London: Thames and Hudson | 2007 | AH |
Curating Subjects | Paul O’Neill | London: Open Editions | 2007 | AH |
Contemporary Art and the Museum: A Global Perspective | Peter Weibel and Andrea Buddenseig | Ostfildern-Ruit: Hatje Cantz | 2007 | AH |
Collectivism After Modernism: The Art of Social Imagination after 1945 | Blake Stimson and Gregory Scholette | Minneapolis: University of Minnesota Press | 2007 | AH |
Talking Prices: Symbolic Meanings of Prices on the Market for Contemporary Art | Olav Velthuis | Princeton: Princeton University Press | 2007 | AH |
2006 | ||||
High Art Lite: The Rise and Fall of Young British Art | Julian Stallabrass | Verso | 2006 | AH |
Institutional Critique and After (SoCCAS Symposium vol. II) | John C. Welchman | JRP|Ringier | 2006 | AH |
Participation : Documents in Contemporary Art | Claire Bishop | London & Cambridge: Whitechapel and MIT Press | 2006 | AH |
2005 | ||||
Imaginary Economics: Contemporary Artists and the World of Big Money | Olav Velthuis | NAi Publishers | 2005 | AH |
Installation Art | Claire Bishop | Tate Publishing | 2005 | AH |
The Manifesta Decade: Debates on Contemporary Art Exhibitions and Biennials in Post-Wall Europe | Barbara Vanderlinden and Elena Filipovic | Cambridge, Mass.: Roomade & MIT Press | 2005 | AH |
Make Everything New: A Project on Communism | Grant Watson, et al. | Book Works | 2005 | AH |
Requiem for Communism (2003) | Charity Scribner | Cambridge, Mass.: MIT Press | 2005 | AH |
2004 | ||||
Conceptual Art and the Politics of Publicity | Alexander Alberro | Cambridge, Mass: MIT Press | 2004 | AH |
Global Artworld, Inc.: On the Globalization of Contemporary Art (Figura Nova Series, No. 32) | Charlotte Byder | Uppsala University Press | 2004 | AH |
One Place after Another: Site-Specific Art and Locational Identity | Miwon Kwon | MIT Press | 2004 | AH |
2003 | ||||
Interviews, Volume 1 | Hans Ulrich Obrist | Charta | 2003 | AH |
Neo-avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 | Benjamin H.D. Buchloh | Cambridge, Mass: MIT Press | 2003 | AH |
Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (October Books) | Benjamin H. D. Buchloh | MIT Press | 2003 | AH |
Privatising Culture: Corporate Art Intervention Since the 1980s | Chin-Tao Wu | Verso | 2003 | AH |
Postmodernism and the Postsocialist Condition: Politicized Art under Late Socialism | Ales Erjavec | University of California Press | 2003 | AH |
2002 | ||||
Conceptual Art (Themes and Movements) | Peter Osborne | Phaidon Press | 2002 | AH |
What Do You Expect from an Art Institution in the 21st Century? | Mark Sanchez and Jerome Sans | Paris: Palais de Toyko | 2002 | AH |
2001 | ||||
Als de kunst er om vraagt. De Sonsbeek tentoonstellingen | Jeroen Boomgaard, Marga van Mechelen, Miriam van Rijsingen | Stichting tentoonstellingsinitiatieven/Gemeenschap Beeldende Kunstenaars | 2001 | AH |
2000 | ||||
Bachelors | Rosalind Krauss | Cambridge, Mass: MIT Press | 2000 | AH |
Conceptual Art: A Critical Anthology | Alexander Alberro and Blake Stinson | Cambridge, Mass: MIT Press | 2000 | AH |
Who Paid the Piper? CIA and the Cultural Cold War (1999) | Frances Stonor Saunders | London: Granta Books | 2000 | AH |
1999 | ||||
Art at the Turn of the Millennium | Burkhard Riemschneider and Uta Grosenick | Taschen | 1999 | AH |
Reading the Contemporary: African Art from Theory to the Marketplace | Olu Oguibe and Okwui Enwezor | Institute for International Visual Arts (INIVA) & MIT Press | 1999 | AH |
Visual Display: Culture Beyond Appearances (Discussions in Contemporary Culture, No 10) | Lynne Cooke and Peter Wollen | New Press | 1999 | ATAH |
1998 | ||||
Art of the Postmodern Era: From the Late 1960s to the Early 1990s (1996) | Irving Sandler | Boulder: Westview Press | 1998 | AH |
Be Magazin #5. Science and Surfaces | Heike Dander, Michael Haerdter, Annette Sievert | Berlin: Künstlerhaus Bethanien | 1998 | AH |
1997 | ||||
Beyond Ethics and Aesthetics. Voorbij ethiek en esthetiek | Ine Gevers, Jeanne van Heeswijk | Nijmegen: SUN | 1997 | AH |
Ruckblick auf das programm 96 der Shedhalle | Marion von Osten | Zürich: Shedhalle | 1997 | AH |
1996 | ||||
Be Magazin #4. Holodecks | Heike Dander, Michael Haerdter, Annette Sievert | Berlin: Künstlerhaus Bethanien | 1996 | AH |
Double Exposures: Subject of Cultural Analysis | Mieke Bal | Routledge | 1996 | AH |
1995 | ||||
Be Magazin #3. Boredom | Heike Dander, Michael Haerdter, Annette Sievert | Berlin: Künstlerhaus Bethanien | 1995 | AH |
1994 | ||||
Be Magazin #1. Photography | Heike Dander, Michael Haerdter, Annette Sievert | Berlin: Künstlerhaus Bethanien | 1994 | AH |
Museum Culture: Histories, Discourses, Spectacles | Irit Rogoff and Daniel J. Sherman | Routledge | 1994 | AH |
1989 | ||||
Blasted Allegories. An Anthology of Writings by Contemporary Artists | Brian Wallis | Cambridge, Mass: MIT Press | 1989 | AH |